I've justed been listening to Wynton Marsalis and the Lincoln Center Jazz Orchestra play their idea of John Coltrane's A Love Supreme.
Wynton is a very good musician and teacher, but he's not a particularly good jazz musician. He risks nothing. He plays about jazz; he plays an idea of jazz, a riff on jazz.
Marsalis' Love Supreme isn't bad listening; it just has no particular meaning. Coltrane's version can drive me nuts sometimes, but I find it brilliant and moving.